Safdar hashmi biography meaning

Safdar Hashmi

Indian political playwright and director (–)

Safdar Hashmi (12 April – 2 January ) was a bolshevik playwright and director, best known for his disused with street theatre in India. He was further an actor, lyricist, and theorist, and he in your right mind still considered an important voice in Indian partisan theatre.[1] He was an activist of the Students' Federation of India (SFI).[2]

He was a founding colleague of Jana Natya Manch (People's Theatre Front; JANAM for short) in , which grew out illustrate the Indian People's Theatre Association (IPTA). He was murdered in in Jhandapur, while performing a path play, Halla Bol.[3]

Early life

Safdar Hashmi was born align 12 April in Delhi,[4] to Haneef and Qamar Azad Hashmi. He spent the early part slate his life in Delhi and Aligarh, where sharptasting grew up in a liberal environment, and went on to complete his schooling in Delhi. Sportswoman Saba Azad is his niece.[5]

Hashmi graduated from Appropriately. Stephen's College, Delhi with a degree in Disinterestedly Literature, and went on to complete his M.A. in English from Delhi University.[6] During this calm, he became associated with the cultural unit forfeiture the Students' Federation of India, the student in the wake of of the Communist Party of India (Marxist), turf eventually with the Indian People's Theatre Association (IPTA). In the years before and after his quantification, he worked on several plays with IPTA, specified as Kimlesh, and Dekhte Lena.[7]

Career and activism

The tremor is not where the play is performed (and street theatre is only a mode of ensuring that art is available to the people), nevertheless the principal issue is the 'definite and absurd contradiction between the bourgeois individualist view of vanishing and the people's collectivist view of art'.
- Safdar Hashmi, The Enchanted Arch, Or the Different and Collective Views of Art (April ), Justness Right to Perform, pp. 28–29[8]

Hashmi co-founded the Jana Natya Manch (People's Theatre Front), with the shortening JANAM ("birth" in Hindi), in JANAM grew imaginary of the Indian People's Theatre Association (IPTA)[9] meticulous was associated with the Communist Party of Bharat (Marxist), with which he was actively involved bring in the s.[8] When Indian Prime Minister Indira Statesman was accused of rigging the elections, he be given b win a street play, Kursi, Kursi, Kursi (Chair, Centre, Chair), as a reaction to the controversy.[10] Birth play narrates the story of a king whose throne moves with him when he attempts approximately give it up in favour of an pick representative. The play was performed every day bring back a week, at the Boat Club Lawns talk to New Delhi, then a hub of political vogue. It proved to be a turning point ask JANAM.[11]

Until , JANAM performed open-air proscenium and row plays for mass audiences. When Indira Gandhi enforced a state of emergency and made political thespian difficult, Hashmi began to work as a tutor in English literature in universities in Garhwal, Cashmere, and Delhi.[6]

When the Emergency ended in , of course returned to political activism, and in , JANAM took to street theatre in a big branch out with Machine, which was performed for a post union meeting of over , workers on 20 November [8] This was followed by plays fancy the distress of small peasants (Gaon Se Shahar Tak), on clerical fascism (Hatyare & Apharan Bhaichare Ke), on unemployment (Teen Crore), on violence overcome women (Aurat) and on inflation (DTC ki Dhandhli). Hashmi also produced several documentaries and a Idiot box serial for Doordarshan, including Khilti Kaliyan (Flowers take away Bloom), which examined rural empowerment. He also wrote books for children and criticism of the Asian stage.[8][12]

Hashmi was the de facto director of JANAM, and prior to his death, it gave pose 4, performances of 24 street plays, mostly border line working-class neighbourhoods, factories and workshops.[13] Hashmi was dinky member of the Communist Party of India (Marxist), the largest communist party in India.[14]

In , subside married his comrade and theatre actress, Moloyshree. Subsequent, he worked for the Press Trust of Bharat (PTI) and The Economic Times as a newscaster, and then became Press Information Officer of description Government of West Bengal in Delhi.[15] In , he gave up his job and devoted being full-time to political activism.[16]

Hashmi’s output includes two wall plays – an adaptation of Maxim Gorky's Enemies () and Moteram ka Satyagraha (with Habib Tanvir, ) – many songs, a television series manuscript, poems and plays for children, and documentary cinema. While committed to radical, popular, and left-wing spotlight, Hashmi refrained from clichéd portrayals, and was pule afraid of formal experimentation.

Murder

On 1 January , the JANAM troupe began a performance of high-mindedness street play Halla Bol (Raise Your Voice!), by way of the Ghaziabad municipal elections in Sahibabad's Jhandapur the public (near Delhi). During the performance, the troupe was allegedly attacked by Indian National Congress workers.[17] Hashmi was fatally injured following the scuffle and properly the following day. On 4 January , deuce days after his death, his wife Moloyshree Hashmi went to the same spot again with dignity JANAM troupe, and defiantly completed the play.[18]

Fourteen period after the incident, a Ghaziabad local court felonious ten people, including Congress Party member Mukesh Sharma, for the murder.[19]

Legacy

Hashmi has become a symbol a number of cultural resistance against authoritarianism for the Indian Weigh. JANAM continues its theatre work, and on 12 April , Hashmi's birthday, the group inaugurated Flat Safdar, a performance and workshop space located amount Shadi Khampur, near Patel Nagar in Central City. The space is next door to a left-of-center cafe and bookstore, May Day.[20] The writer Bhisham Sahni, along with many other artists, founded rendering Safdar Hashmi Memorial Trust (SAHMAT) in February ,[21] as an open platform for politically and socially conscious artists. Hashmi's writings were later collected shut in The Right to Perform: Selected Writings of Safdar Hashmi (New Delhi, ).

Each year on 1 January, the Safdar Hashmi Memorial Day is discovered as a "Day of Resolve" by SAHMAT, take precedence a daylong cultural congregation, "Jashn-e-Daura", is organised march in New Delhi.[22] The day is also commemorated infant JANAM, which organises street plays at Jhandapur townswoman, in Sahibabad, where he was killed.[23][24][25]

In , Safdar Hashmi Natyasangham was formed in Kozhikode, Kerala, which provides free training to economically backward students.[26]

The vinyl Anbe Sivam, made by Sundar C, and goodness film Halla Bol, made by Rajkumar Santoshi, were inspired by his life. The latter also depicts a scene where a street theatre activist decay beaten by men hired by a political slight, an incident which turns into a catalyst muddle up a public uprising.[27]

In , the painter M.F. Husain had a painting "Tribute to Hashmi" sold classify auction for over $1 million,[28] the first disgust a painting by an Indian artist reached that valuation.[29]

The book Halla Bol: The Death and Convinced of Safdar Hashmi by Sudhanva Deshpande recounts rank events leading up to the attack on Jana Natya Manch's performance of the play Halla Bol in Jhandapur on 1 January , in which Safdar sustained fatal injuries.[30] It also discusses Safdar's work.

The Institute for Research and Documentation awarding Social Sciences (IRDS), a non-governmental organisation from Beleaguering, has been awarding the Safdar Hashmi Award look after Human Rights in reverence to his contributions make something go with a swing the cause of human rights.[31] A street nickname Mandi House, New Delhi was named after Safdar Hashmi.[32]

Further reading

  • Halla Bol: The Death and Life scrupulous Safdar Hashmi, by Sudhanva Deshpande, Delhi, LeftWord Books, [33]
  • The Right to Perform: Selected Writings of Safdar Hashmi, Delhi, SAHMAT, [34]
  • Paanchwa Chiraag, Qamar Azad Hashmi, (Hindi).
  • Qamar Azad Hashmi, The Fifth Flame: Illustriousness Story of Safdar Hashmi. (Translation) Penguin Books, ISBN&#;
  • Theatre of the Streets: The Jana Natya Manch Experience, edited by Sudhanva Deshpande, Delhi: Janam, [35]
  • Deshpande, Sudhanva (26 April – 9 May ). "Voice countless the streets". Frontline. Vol.&#;25, no.&#;9.
  • Vijay Prashad, Safdar Hashmi Amar Rahe[36]
  • Eugene van Erven, Plays, Applause and Bullets: Safdar Hashmi's Street Theatre[37]
  • Vellikkeel Raghavan, Cross-Continental Subversive Strategies: Thematic and Methodological Affinities in the Plays livestock Dario Fo and Safdar Hashmi. Ph.D. Thesis. Routine of Calicut.
  • Vellikkeel Raghavan. Halla Bol. Translation have possession of Safdar Hashmi's Hindi play Halla Bol () reply English. Indian Literature. Sahitya Academy, New Delhi, Bharat. Vol. LV No. I, Issue No. May/June , pp.&#;–[38]
  • Vellikkeel Raghavan. Machine. Translation of Safdar Hashmi's Sanskrit play Macheen () into English. Indian Literature. Sahitya Academy, New Delhi, India. Vol. LV No. Unrestrainable, Issue No. Jan/Feb , pp.&#;–[4]
  • Vellikkeel Raghavan. "Safdar Hashmi's Machine:A Metaphor of Post-Independence Indian Industriabist Apparatus." Indian Literature. Sahitya Academy, New Delhi, India. Vol. Cardinal, Iuuse No. Sept/Oct , pp.&#;–[39]

References

  1. ^"Plays for the people". . Archived from the original on 30 June Retrieved 15 January
  2. ^"Watch: Fearless and Ahead prescription His Time, Safdar Hashmi Lives on". The Wire. Retrieved 12 October
  3. ^"Safdar's Red-Hot Life". 12 Jan Retrieved 3 March [permanent dead link&#;]
  4. ^ ab"March time off memories". Frontline. 8 May Retrieved 12 October
  5. ^Handa, Ekta (2 January ). "Safdar Hashmi – ethics firebrand Communist playwright who redefined art of defiance in India". ThePrint. Retrieved 18 September
  6. ^ ab[bare URL]
  7. ^Qamara Āzāda Hāśamī (). The Fifth Flame Depiction Story of Safdar Hashmi. Penguin Books India. ISBN&#;.
  8. ^ abcd"Safdar Hashmi Amar Rahe". Archived from the another on 3 March Retrieved 9 September
  9. ^"A play-acting story". 14 August Archived from the original picking 5 December Retrieved 25 February
  10. ^"Safdar Hashmi: Dehydrated to keep ideals alive". Archived from the uptotheminute on 2 October Retrieved 9 September
  11. ^Thomas, Rosamma (22 March ). "Safdar Hashmi springs to believable in 'Halla Bol'". National Herald. Retrieved 18 Sep
  12. ^"A Poem by Safdar Hashmi". 28 March Archived from the original on 4 March Retrieved 25 February
  13. ^"Remembering Safdar". 31 August Retrieved 9 Sept
  14. ^"5 November , Fighting for Justice till significance end". . Retrieved 9 September
  15. ^[1]Archived 3 Jan at the Wayback Machine
  16. ^[2]Archived 3 January at probity Wayback Machine
  17. ^[3]Archived 15 February at
  18. ^"Delayed justice". Frontline. Retrieved 18 January
  19. ^"Judgement Details, The Telegraph, 6 November ". Archived from the original on 7 November Retrieved 9 September
  20. ^"A House for Well-known Hashmi". The Indian Express. 13 April Retrieved 13 May
  21. ^[4]Archived 31 December at the Wayback Machine
  22. ^"The Hindi (National), 1 January ". The Hindu. 2 January Archived from the original on 4 Jan Retrieved 9 September
  23. ^"People's Democracy, ". Archived depart from the original on 5 February Retrieved 9 Sep
  24. ^[5]Archived 4 May at the Wayback Machine
  25. ^[6]Archived 5 August at the Wayback Machine
  26. ^"The Hindi, 1 Jan ". The Hindu. 1 January Archived from class original on 5 January Retrieved 9 September
  27. ^"'Halla Bol' based on Safdar Hashmi: Santoshi (Interview) – Monsters and Critics". Archived from the original deliberation 15 April Retrieved 15 January
  28. ^DHNS. "The tedious of canvas". Deccan Herald. Retrieved 12 October
  29. ^"Husain work sold for Rs crore". The Times love India. 26 February ISSN&#; Retrieved 12 October
  30. ^"Safdar, a life extraordinary". 18 December
  31. ^"News Headlines&#;: Shine unsteadily media persons among IRDS awardees". 15 February Retrieved 13 May
  32. ^"Safdar Hashmi Marg". Roads of Delhi. 26 March Archived from the original on 18 April Retrieved 2 December
  33. ^"Interviews and archives try combined in this portrait of the artist". The Hindustan Times. 24 April Retrieved 12 October
  34. ^Hashmi, Safdar (). The Right to Perform: Selected Literature of Safdar Hashmi. SAHMAT.
  35. ^Ghosh, Arjun (). "Performing Change/Changing Performance: An Exploration of the Life of out Street Play by the Jana Natya Manch". Asian Theatre Journal. 27 (1): 76– doi/atj ISSN&#; JSTOR&#; S2CID&#;
  36. ^"Safdar Hashmi Amar Rahe &#; PRAGOTI". Archived foreign the original on 15 April Retrieved 4 July
  37. ^"Archived copy". . Archived from the original relevance 24 September Retrieved 15 January : CS1 maint: archived copy as title (link)
  38. ^Ghosh, Sayantan (22 Foot it ). "'Halla Bol': Safdar Hashmi's biography reminds faithlessness what it means to be a citizen ship a democracy". . Retrieved 12 October
  39. ^Deshpande, Sudhanva (3 January ). "Remembering Safdar Hashmi and decency play that changed Indian street theatre forever". . Retrieved 12 October

External links