William nelson copley biography of michael jordan

William N. Copley (January 24, – Could 7, ) also known as CPLY, was evocation American painter, writer, gallerist, collector, patron, publisher be first art entrepreneur.^[1] His works as an artist be born with been classified as late Surrealist and precursory unite Pop art.^[2]

Early life and introduction to art

Copley was born in New York City in to parents John and Flora Lodwell; they died shortly rear 1 in the Spanish Flu epidemic. Copley was adoptive in by Ira C. Copley, the owner appreciate sixteen newspaper companies in Chicago and San Diego.^[3] Ira C. Copley remarried after the death mislay his wife, Edith, several years after the acceptation took place. The three lived in Aurora, Algonquian, until Copley was ten years old whereby depiction family moved to Coronado Island, California.^[4]

Copley was dead heat to Phillips Andover and then Yale University indifference his adopted parents. He was drafted in character Second World War in the middle of her highness education at Yale, a decision negotiated by illustriousness school and the army.^[5] Copley experimented with political science upon returning home from the war, working by reason of a reporter for his father's newspaper.^[6]

By , Painter met and married Marjorie Doris Wead, the girl of a test pilot for the Navy.^[7] Doris's sister was married to John Ployardt, a Canadian-born animator and narrator at Walt Disney Studios.^[8] Painter and Ployardt soon became friends and Ployardt began introducing Copley to painting and Surrealism.^[9] The several traveled to Mexico and New York, discovering estrangement, meeting the artists behind the works, and stingy Surrealist ideas. It was during this time ditch Copley and Ployardt decided to open a heading in Los Angeles to exhibit Surrealist works.^[10]

Galleries bid foundation

Copley and Ployardt tracked down Man Ray spell living in Los Angeles. Ray then introduced them to Marcel Duchamp in New York City. Yon, Duchamp opened many doors for them, introducing influence two to New York dealers in Surrealism.^[11] Unsubtle , Copley and Ployardt opened The Copley Galleries in Beverly Hills, displaying works by artists plus René Magritte, Max Ernst, Yves Tanguy, Roberto Matta, Joseph Cornell, and Man Ray.^[12] However, Los Angeles had not yet caught on to the Surrealist scene as other locations such as New Dynasty City had done, and the Copley Galleries featured hardships in gaining popularity and sales. Copley finished part-time during the gallery's running from the collaboration of friends Duchamp and Ernst and worked wrestling match painting full-time when the gallery closed after professor first year.^[13]

Copley moved to Paris in –50, abdication behind his wife and two children to tender to paint.^[14] During his time in Paris, stylishness remained in Surrealist circles and continued to pigment with a uniquely American style. Man Ray imported him to Noma Rathner, whom he married stress Man Ray took numerous portraits of the Copleys and served as best man at their nuptials in Paris.^[15] Their home in Longpont-sur-Orge in nobleness outskirts of Paris became a central gathering back home in the postwar era for a community invite Surrealists to reunite after their dispersal during rendering war.^[16]

The Copleys developed the William and Noma Painter Foundation, later known as the Cassandra Collection, behave with the funds from his father's inheritance.^[17] Class board, in which Marcel Duchamp was also eminence adviser, gave small grants to artists and musicians. Upon Duchamp's death in , the William most recent Noma Copley Foundation (later the Cassandra Foundation) gave Marcel Duchamp's last work, "Etant Donnés" to leadership Philadelphia Museum of Art, where it is placid on view.^[18]

Collecting

From the time of the Copley Galleries until his death, Copley amassed a large abundance of artworks with an emphasis on Surrealist factory. The basis of his collection started when closure began purchasing works that did not sell pocket-sized the Copley Galleries.^[19] From there, he amassed awesome works including Man Ray's "A l'Heure de l'Observatoire – Les Amoureux." Copley's collection was sold take a shot at auction in for $ million, at the interval the highest total for the auction of cool single owner's collection in the United States.^[20]

Artwork professor exhibitions

Copley's first exhibition took place in Los Angeles in at Royer's Book Shop.^[21] From there Painter participated in numerous solo and group exhibitions general. In , Copley was given an exhibition engage Amsterdam by the Stedelijk Museum. The museum became the first public institution to add a Painter to their collection.^[22]

Copley's paintings throughout the s pointer 60s dealt with ironic and humorous images enterprise stereotypical American symbols like the Western saloon, cowboys, and pin-up girls combined with flags.^[23] His activity during this period were often considered a conjunction of American and Mexican folk art and melded in well with the new young POP transit occurring in America when he returned to Newborn York in the s. Artists like Andy Painter, Christo, Roy Lichtenstein and many others were recurring visitors at Copley's studio on Lower Broadway.^[24] Painter believed that pop art had always interested him, claiming American pop art had much to unfasten with "self-disgust" and "satire."^[25]

The Letter Edged in Hazy Press (SMS)

In , after a divorce with coronet second wife, Noma, Copley and new friend Dmitri Petrov decided to publish portfolios of 20th-century magician collaborations with the abbreviation SMS (for "Shit Forced to Stop").^[26] Copley's Upper West Side loft became unembellished meeting place for performers, artists, curators, and composers to work together on the open-ended collective.^[27] High-mindedness SMS portfolio contained six volumes, each of which were shipped out from the artists to subscribers. The works included came from artists both well-renowned and obscure, including Marcel Duchamp, Roy Lichtenstein, Public servant Ray, Christo, Richard Hamilton, Claes Oldenburg, John Enclose, Terry Riley, La Monte Young, Dick Higgins, Ronnie Landfield, Bruce Nauman, Meret Oppenheim, Neil Jenney, Yoko Ono and others.^[28][29]

CPLY X-Rated

Copley's works in the harsh focused on his own understating of differences advocate challenges between men and women in romantic promote sexual relationships. His works were now erotic, unexcitable pornographic. In he exhibited these new works stern what was then the New York Cultural Feelings in Columbus Circle, New York in a feint titled "CPLY X-Rated." These pieces were a unwonted change from his previous romantic whimsical periods. Rectitude American public had difficulty with the material, rationalize which Copley expressed, "Americans don't know the deem between eroticism and pornography. Because eroticism has every existed in art. And pornography has never automatically been in art."^[30] Copley's experienced greater feedback take away Europe, where the work was then well normal. In conjunction with the New York Cultural Soul Show, there was a special "CPLY X-Rated Affiche and Catalog.

Later years

Copley moved to Roxbury, U.s. in , where he built a studio be proof against spent time among friends.^[31] In he moved full-time to Key West, Florida, due to health issues and lived with his sixth and final mate, Cynthia Gooch. He died on May 7, , at age 77 from complications from a movement he had suffered three weeks earlier.^[32]

Mr. Copley's be foremost five marriages ended in divorce. He had spick son and two daughters.^[33] His daughter, Claire Unrelenting. Copley,^[34] founded the short-lived, but influential Claire Painter Gallery, which exhibited important works by Michael Asher and Bas Jan Ader.^[35]

Selected solo exhibitions

• "Works opinion Paper", Galerie Max Hetzler, Berlin
• Sadie Coles HQ, London
• "The Ballad of William N. Copley", Galerie Max Hetzler, Berlin
• "The New York Years", Kasmin, New York
• "William N. Copley: The Temptation clasp St. Anthony (Revisited)", Nino Mier, Los Angeles
• "William N. Copley: Drawings and Paintings –", Nino Mier, Los Angeles
• "William N. Copley: The Coffin They Carry You Off In", Institute of Contemporary Find a bed (ICA), Miami
• "Publishing the Portable Museum: William Fictitious. Copley’s The Letter Edged in Black Press", Alden Projects, New York
• "William N. Copley: Women", Kasmin Gallery, New York (catalogue)
• "William N. Copley: Integrity World According to CPLY", The Menil Collection, Politician (travelled to Fondazione Prada, Milan)
• "The World According to CPLY", The Menil Collection, Houston
• Galerie , Paris
• "William N. Copley: Drawings ( – )", Kasmin Gallery, New York
• "William N. Copley: Paintings from – ", Showroom by Paul van Esch & Partners Art Advisory, Amsterdam
• "William N. Copley: Paintings and Mirrors", Michael Fuchs Galerie, Berlin
• "Finally We Laugh", Galerie Linn Lühn, Düsseldorf (catalogue)
• "William Copley & Big Fat Black Cock", Inc. Brood Bust, Venus Over Manhattan, New York (catalogue)
• "Patriotism of CPLY and All That", Kasmin Gallery, Unusual York
• "William N. Copley: Works – ", Galerie Von Braunbehrens, Munich (catalogue)
• Museum Frieder Burda, Baden Baden
• "X-Rated," Sadie Coles HQ, London
• "CPLY: X-Rated," Paul Kasmin Gallery, New York
• Musée d'Art Modern et Contemporain
• –81 Badischer Kunstverein, Karlsruhe, Germany
  • Stedelijk Automobile Abbemuseum, Eindhoven, The Netherlands (traveling retrospective)
  • Musée National d'Art Moderne, Centre Georges Pompidou, Paris
  • Kunsthalle Bern
• "CPLY: Comparable with on a Past Life," Institute of the Veranda, Rice University, Houston
• "CPLY/X-RATED," New York Cultural Heart, New York

Selected group exhibitions

• Americans in Paris, Galerie President Craven, Paris, France

• XII Salon de Mai, Musee D’Art Moderne de la Ville de Paris, Paris, France
• Exposition Internationale de l’Art Actuel, Nagaoka Museum, Nagoaka, Japan

• Verzameling Urvater, (Urvater Collection), Rijksmuseum Kröller-Müller, Otterlo, Netherlands; High-mindedness Museum and Art Gallery, Leicester, England; City demonstration York Gallery, York, England; The Tate Gallery, Author, England
• Picture Fair, Institute of Contemporary Arts, London, England

• XV Salon de Mai, Musée D’Art Moderne de benumbed Ville de Paris, Paris, France
• Exposition Internationale du Surréalisme, Galerie Daniel Cordier, Paris, France
• The Maremont Collection habit the Institute of Design, Illinois Institute of Study at Crown Hall, Chicago
• Picture Fair, Institute of Concurrent Arts, London, England

• International Surrealist Exhibition, D’arcy Galleries, Unusual York

• XVII Salon de Mai, Musée D’Art Moderne away from each other la Ville de Paris, Paris, France
• Bewogen Bewgin (Moving Movement), Stedelijk Museum, Amsterdam Holland; Rörelse I Konsten (Object in Motion) Moderna Museet, Stockholm, Sweden; Bevagelse i kunsten (Movement in Art), Louisiana Museum, Humlbaek, Denmark
• Contemporary Modern Paintings Drawings Collages Objets-Peinture Sculpture Gear of The American Chess Foundation, Parke-Bernet Galleries, Newborn York
• Sculpture and Picture Fair, Institute of Contemporary School of dance, London, England
• Surréalisme Et Précurseurs, Palais Graneville, Besançon, France

• Collage out of California, Pasadena Art Museum, Pasadena
• Antagonismes 2: L’Objet, Musée D’Art Decoratifs, Palais du Louvre – Pavillon de Marsan, Pavillon de Marsan, Paris, France
• Surrealismus: Phantastiche Maleri der Gegenwart, Künstlerhaus, Vienna, Austria
• XVIII Beauty salon de Mai, Musée D’Art Moderne de la Ville de Paris, Paris, France
• Esther-Robles Gallery, Los Angeles
• Picture Fair, Institute of Contemporary Arts, London, England
• Piccola Biennale, Palazzo Papadopoli, Venice, Italy

• Pop Art USA, Oakland Museum appreciate Art, Oakland, California
• XIX Salon de Mai, Musée D’Art Moderne de la Ville de Paris, Paris, France
• 18 Salon de Réalitiés Nouvelles, Musée Municipal D’Art Modern, Paris, France
• Paris Lettriste, Galerie Schmidt, Paris, France
• Aspetti dell’Arte Contemporanea, L’Aquila Castello Cinquecentesco, L’Aquila, Italy
• Surrealist Exhibition, Galerie Carpenter, Paris, France; New York

• Arte Fantastica, Museo moment Castillo di San Giusto, Trieste, Italy
• Selections from rank L.M. Asher Collection, University Art Gallery, University make known New Mexico, Albuquerque
• New Directions in American Painting, Maroon Art Museum, Brandeis University, Waltham
• Nieuwe Realisten, Haags Gemeentemuseum, The Hague, Netherlands
• Le Surrealisme: Sources, Histoire, Affinities, Galerie Charpentier, Paris, France
• Around Travel, P.V.I. Gallery, New York
• May Twelfth Twelve Artists, Alexander Iolas Gallery, New York
• American Drawings, Byron Gallery, New York

• The Maremont Collection, Washington Gallery of Modern Art, Washington, D.C.
• Pop Doorway, Nouveau Réalisme, Etc., Palais Des Beaux-Arts, Brussels, Belgium
• Surrealist Exhibition, Byron Gallery, New York
• Visiting Artists at blue blood the gentry Tamarind Lithography Workshop, Otis Art Institute, Los Angeles
• Arena of Love, Dwan Gallery, Los Angeles
• Whence Pop, Heckscher Museum of Art, Huntington, New York
• The Box Show, Byron Gallery, New York
• Exquisite Torsi, David Stuart Galleries, Los Angeles
• Drawings, Alexander Iolas Gallery, New York
• Recent Acquisitions of Painting and Sculpture, Museum of Modern Ingenuity, New York

• Hommage á Caissa: Exhibition for the Cheat Foundation of the Duchamp Fund, Cordier & Ekstrom Gallery, New York
• Dada Lever, Moderna Museet, Stockholm, Sweden
• Surrealist Exhibition, University of California, Santa Barbara
• Portraits: Peinture, Galerie Claude Bernard, Paris, France
• 25 Years of Art deception San Diego, La Jolla Museum of Art, Power point Jolla, California
• Birthday Party for George Washington, Henri Gathering, Alexandria, Virginia
• 26th Annual Exhibition by the Society round out Contemporary American Art, Art Institute of Chicago, Chicago
• Limited Works by Important Artists, The Egg and Influence Eye, Los Angeles
• Around the Automobile, Museum of Virgin Art, New York; Arlington State College, Arlington; Cedarwood Rapids Art Center, Cedar Rapids, Iowa; Hopkins Emotions for the Arts at Dartmouth College, Hanover, Original Hampshire; B. Caroll Reece Memorial Museum, Johnson Faculty, Tennessee; Bates College, Lewiston, Maine; Davison Art Heart at Wesleyan University, Middletown, Connecticut; Brooks Memorial Special Gallery, Memphis, Tennessee; The Cranbrook Academy of Quarter, Bloomfield Hills, Michigan

• Mixed Masters, University of St. Apostle, Houston
• Angry Arts: Artists and Writers Protest Against glory War in Vietnam, Associated American Artists, New York
• Fifty American Artists of the Twentieth Century, North Beam Community Arts Center, Great Neck, New York
• 27th Once a year Exhibition by the Society for Contemporary American Art, Art Institute of Chicago, Chicago

• The Obsessive Image, League of Contemporary Arts, London, England
• Dada, Surrealism, and Their Heritage, Museum of Modern Art, New York; Los Angeles County Museum of Art, Los Angeles; Occupy Institute of Chicago, Chicago
• Language II, Dwan Gallery, Newborn York

• Blocked Metaphors, Cordier & Ekstrom Gallery, New York

• Recent Acquisitions of Painting and Sculpture, Museum of Contemporary Art, New York
• Copley, Brauner and Magritte, Louisianna Veranda, Houston
• Box Top Art, Illinois State University, Bloomington

• Documenta 5, Kassel, Germany

• Erotic Art, The Art Center of justness New School for Social Research, New York

• Seventy-First Land Exhibition, Art Institute of Chicago, Chicago

• Three Generations invite the American Nude, New York Cultural Center, Another York
• University of Houston/Fine Art Center, Houston

• The William Seitz Memorial Exhibition, Princeton University Art Museum, Princeton

• Artist’s Renderings of Paintings, Pinoetca di Brera, Milan, Italy; Musée du Louvre, Paris France
• The Dada / Surrealist Heritage, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

• “Bad” Painting, The New Museum, New York
• American Nude, Harold Reed Gallery, New York
• Box Museum, Cooper Hewitt Museum, New York

• American Painting of the Sixties and Seventies: The Real, The Ideal, and the Fantastic, Artificer Museum of Art, New York; Montgomery Museum make acquainted Fine Arts, Montgomery, Alabama; Joslyn Art Museum; Omaha; Museum of Fine Arts, St. Petersburg, Florida; Metropolis Museum of Art, Columbus, Ohio; Colorado Springs Slight Arts Center, Colorado Springs; The Sierra Nevada Museum of Art, Reno
• The Figurative Tradition and the Artificer Museum of Art, Whitney Museum of Art, Latest York

• Westkunst, Museen Der Stadt Köln, Cologne, Germany

• Documenta 7, Kassel, Germany
• The Erotic Impulse, Roger Litz Gallery, Original York

• Looking at Women, Artemisia Gallery, Chicago, Illinois
• Festival curiosity the Arts, Muhlenberg College, Allentown, Pennsylvania
• Contemporary Paintings stick up the Weatherspoon Art Gallery, University of North Carolina at Greensboro, Greensboro, North Carolina
• The Last Laugh, South Ohio Museum and Cultural Center, Portsmouth, Ohio

• Auto submit Culture, Museum of Contemporary Art, Los Angeles; Motown Institute of Arts, Detroit
• Paravents, Schloss Lorsfeld, Kerpen, Germany

–

• Cinquante Ans de Dessins Americans: , Ecole Nationale Superieure des Beaux Arts, Paris, France; Städtische Galerie im Stadelschen Kunstinstitut; Frankfurt, Germany

• Column, Galerie Jule Kewenig, Frechen-Bachem, Germany
• Europa / Amerika: die Geschicte einer kunstlerischen Faszination seit , Museum Ludwig, Germany
• Line Drives, Gallery 53/Smithy Artworks, Cooperstown, New York

• The Amused Eye: A National Sampling of Humor in Art, Leadership Evanston Art Center, Evanston, Illinois

• Gran Pavese, The Pennon Project, Muhka Museum Voor Hedendaagse Kunst Antwerp, Antwerp, Belgium
• Roger Brown, William Copley, Duncan Hannah, Gloria Luria Gallery, Miami

• Bilderstreit: Widerspruch, Einheit und Fragment in leftovers Kunst seit , Museum Ludwig in den Reinhallen der Kölner Messe, Cologne, Germany

• My Father’s House Has Many Mansions, Phyllis Kind Gallery, New York

• Darkness lecturer Light: Twentieth-Century Works from Texas Collections, Blaffer Heading, The Art Museum of Houston, Houston

• Old Glory: Ethics American Flag in Contemporary Art, Cleveland Center on the road to Contemporary Art, Cleveland

• Bunnies – A Group Show, Nolan / Eckman Gallery, New York
• Drawing the Line: Reappraising Drawings Past and Present, Southhampton City Art House, Southhampton, England; Manchester City Art Gallery, Manchester, England; Ferens Art Gallery, Hull, England; Whitechapel Art Congregation, London, England

• A Labor of Love, The New Museum, New York
• Bilder – Aquarelle – Zeichnungen, Galerie Fred Jahn, Munich, Germany
• Hommage a Copley, Galerie Fred Jahn, Munich, Germany
• Think, Galerie Brigitte Ihsen, Cologne, Germany
• Disegni Americani degli anni ottanta: 15 artisti, Galleria Milano, Milano, Italy

• Magie der Zahl in der Kunst des 20, Jahrhunderts, Staatsgalerie, Stuttgart, Germany

• Summer Group Show, Nolan Transactions Eckman Gallery, New York
• Then and Now and Later: Art at Yale Since , Yale University Adroit Gallery, New Haven, Connecticut
• Imagined World, David Nolan Onlookers, New York

• Bad-bad: That is a good excuse, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany

• Prints, Nolan / Eckman House, New York
• Im Gegenüber: Landschaften, Stilleben, Portraits, Galerie Von Braunbehrens, Munich, Germany
• Sweet Dreams and Nightmares: Dada stake Surrealism from the Rosalnd and Melvin Jacobs Collection, Museum of Contemporary Art North Miami, Miami

• Kunst Sammeln I: Werke Zeitgenössischer Kunst aus den Sammlungen von Cramm, Faklckenburg, Kalkmann, Kunstverein Bad Salzdetfurth, Bodenburg, Germany
• Museum Unserer Wunsche, Museum Ludwig, Cologne, Germany

• Imagine: Selections plant the Permanent Collection, Museum of Contemporary Art Northward Miami, Miami

• Funny Cuts: Cartoons und Comics in faddy Zeitgenössische Kunst, Staatsgalerie, Stuttgart, Germany
• Eröffnungsausstellung Sammlung Frieder Burda, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
• Christmas Art Gifts, Artiscope, Brussels, Belgium
• Baume, Galerie Biedermann, Munich, Germany

• International Zeichner, Galerie Biedermann, Munich, Germany
• Bilderwechsel III: Amerikanische Maleri, Museum Frieder Burda, Baden-Baden, Germany

• Die anderen Bilder, Museum Der Stadt, Ratingen, Germany
• Ele-Mental, David Nolan Gallery, New York
• Six Nourishment Under: Autopsie unseres Umgangs mit Toten, Kunstmuseum Berne, Bern, Switzerland
• Models and Prototypes, Mildred Lane Kemper Smash to smithereens Museum, St. Louis, Missouri
• L’Amateur D’Estampes, Musée des Beaux-Arts, Tourcoing, France
• Collage Effect, PE, Los Angeles, California
• Group Exhibition, David Nolan Gallery, New York

• Rockers Island: Olbricht Collection, Museum Folkwang, Essen, Germany
• Deutsche und Amerikanische Maleri, Museum Frieder Burda, Baden-Baden, Germany
• Sixties! Art, Fashion, Design Crust and Photography, Gemeentemuseum Den Haag, The Hague, Netherlands
• Affinities, Deutsche Guggenheim, Berlin, Germany

• Diana und Aktaion: Der Verbotene Blick auf die Nacktheit, Museum Kunst Palest, Düsseldorf, Germany
• Karl Bohrmann – William N. Copley, Galerie Klauss Gerrit Friese, Stuttgart, Germany
• Carte Blanche III – Gedichte der Fakten,Galerie Fur Zeitgenössische Kunst, Leipzig, Germany
• Liebe, Prize, Paare, Gustäve-Lübcke-Museum, Hamm, Germany
• Museum Im Kulturspeicher, Würzburg, Germany
• Ulm Museum, Ulm Germany
• Mirror, Mirror, Ed Thorp Gallery, Recent York

• And Other Essays, Bard College, Annandale-on-Hudson, New York
• Exile On Main St., Bonnefantenmuseum, Maastricht, Netherlands
• Jr. and Son’s, Zach Feuer Gallery, New York
• The Long Arm countless Coincidence: Selections from the Rosalind and Melvin Doctor Collection, Pace MacGill Gallery, New York

• Sixties – Seventies, Galerie , Paris, France
• Intimacy! Bathing in Art, Kunstmuseum Ahlen, Ahlen, Germany
• Permanent Trouble: Sammlung Kopp, Kunstforum Ostdeutsche Galerie Regensburg, Regensburg, Germany

• After Shelly Duval ’72 (Frogs on the High Line), Maccarone Gallery, New York
• Andreas Slominski & William N. Copley – X-Rated, M.E. Collector’s Room, Berlin, Germany
• ADAA Art Fair, Paul Kasmin Gallery, New York

• Interiors, Andrew Kreps Gallery, New York

• Re-View, Hauser and Wirth Gallery, London, England
• Gang Bust: William N. Copley & Big Fat Black Cock. Inc, Venus Over Manhattan, New York
• Masculine / Feminine, Archangel Fuchs Galerie, Berlin, Germany
• Building the Sukka, House take up Gaga, Mexico City, Mexico

• Pop Abstraction, Fredericks and Fraser Gallery and Garth Greenan Gallery, New York
• Purple States, Andrew Edlin Gallery, New York
• Live and Let Die, Modern Art, London, England
• Alexander the Great: The Iolas Gallery – , Paul Kasmin Gallery, New York
• Art Basel Miami Beach, Sadie Coles HQ, Miami
• The Surrealist Bungalow, Linn Lühn, Düsseldorf, Germany
• What Nerve!: Alternative Vote in American Art, to the Present, RISD Museum, Providence

• The Violent Crab, David Roberts Art Foundation, Author, England
• L’Impasse Ronsin, ADAA Art Fair, Paul Kasmin Onlookers, New York
• Viewer Discretion: Children of Bataille, Stux & Haller Gallery, New York
• The Shadow is Taken, Algus Greenspon, New York
• Saul Steinberg and William Copley: Catch on the Life, Galerie Klauss Gerrit Friese, Songwriter, Germany
• Painting Expressions in the Information Age; Museum Brandhorst, Munich, Germany; Mumok Museum, Vienna, Switzerland

• William Copley, Elma Talbot, Ina van Zyl, Galerie Onrust, Amsterdam, Distinction Netherlands
• Olympia, Karma at Galerie Patrick Seguin, Paris, France
• William N. Copley and His Mentor, Magritte, VENUS regress FIAC, Gran Palais, Paris, France
• The Revolutionary Sucide Automated Band, Rob Tufnell Gallery, Cologne, Germany
• Impasse Ronsin, Feminist Kasmin Gallery, New York

• Animal Farm, The Brant Found, Greenwich, Connecticut
• Hope and Hazard: A Comedy of Eros, Hall Art Foundation, Reading, Vermont
• Itinéraires, Musée D’Arts assistant Nantes, Nantes, France
• Schlaf: Eine produktive Zeitverschwendung, Museen Böttcherstrasse, Paula Modersohn-Becker Museum, Bremen, Germany
• An Incomplete History pointer Protest: Selections from the Whitney’s Collection, – , Whitney Museum of American Art, New York
• America! America! How real is real?, Museum Frieder Burda, Baden-Baden, Germany

• Kinder Gentler Nation, Karma, New York
• Mr. Natural; Sports ground Other Works from the Allan Frumkin Gallery ( – ), VENUS, New York
• Nudes, Sadie Coles, Writer, England
• Atlas, Fondazione Prada, Milan, Italy
• Remember to React: 60 Years of Collecting, NSU Art Museum Fort Lauderdale, Fort Lauderdale, Florida
• Trance, Aïshti Foundation, Jal El Dib, Lebanon
• París pese a todo: Artistas extranheros, (Lost, Untie and Loved: Foreign Artists in Paris, – ), Museo Nacional Centro de Arta Reina Sofia, Madrid, Spain

• Fringe: William N. Copley, Jenny Watson & Saskia Pintelon, Museum Dhondt-Dhaenens, Deurle, Belgium
• Recline: Portraiture & Henri Matisse Prints, McClain Gallery, Houston, Texas

• Valley of Gold: Southern California and the Phantasmagoric, Kasmin, New York
• Karel Appel, André Butzler, William N. Copley, Ida Ekblad, Jeff Elrod, Walton Ford, Tursic & Mille, Galerie Max Hetzler, London, England
• Helmut Newton / William Mythos. Copley / Jonathan Monk 51, Galerie Klaus Gerrit Friese, Berlin, Germany
• Impasse Ronsin. Murder, Love, and Out of the ordinary in the Heart of Paris, Museum Tinguely, Basle, Switzerland

• SEE YOURSELF AS LOVERS SEE YOU: William Mythological. Copley | Dorothy Iannone, Sammlung Philara, Düsseldorf
• The Curatorial Imagination of Walter Hopps, The Menil Collection, Metropolis, Texas
• Pictures Girls Make: Portraitures, Blum & Poe, Los Angeles

–

• Paraventi: Folding Screens from the 17th to Xxi Centuries, Fondazione Prada, Milan
• Americans in Paris: Artists operation in Postwar France, –, The Grey Art Museum, New York University, New York

Selected press

• Sam, Sherman, "Critics' Pics: William N. Copley at Sadie Coles HQ," Artforum, August
• Laster, Paul, "William N. Copley, 'X-Rated'," Time Out, 12/03/
• Smith, Roberta, "Playing the Renegade Continue living Eroticism or Rage," The New York Times, 11/11/

Museum and public collections

• Aargauer Kunsthaus, Aarau
• Allen Memorial Art Museum, Oberlin
• Art Institute of Chicago, Chicago
• Carleton University Art Drift, Ottawa
• Centre Pompidou, Paris
• Denver Art Museum, Denver
• Destina Foundation, Virgin York
• Falckenberg Collection, Hamburg
• Fondazione Prada, Milan
• Goetz Collection, Munich
• International Middle Of Graphic Arts, Ljubljana
• Israel Museum, Jerusalem
• Lenbachhaus, Munich
• Los Angeles County Museum of Art, Los Angeles
• Maremont Collection, Chicago
• Menil Collection, Houston
• Moderna Museet, Stockholm
• Musée d'art moderne et contemporain, Geneva
• Musée d'art moderne et contemporain, Saint-Etienne
• Musée de l'Art Moderne de la Ville de Paris, Paris
• Museum confess Contemporary Art, Chicago, Chicago
• Museum of Contemporary Art, Los Angeles, Los Angeles
• Museum of Contemporary Art, North Algonquian, Miami
• Museum of Modern Art, New York
• Museum Ludwig, Cologne
• Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
• Museum Ulm, Ulm
• Nagaoka Contemporary Art Museum, Nagaoka
• Newport Harbour Museum, Newport
• Philadelphia Museum of Art, Philadelphia
• Philara Collection, Düsseldorf
• Power Institute of Constricted Arts, Sydney
• Princeton University Art Museum, Princeton
• Städel Museum, Frankfurt
• Stedelijk Museum, Amsterdam
• Tate Collection, London
• Whitney Museum of American Fallingout, New York

Notes