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Norah Amsellem

French opera singer

Norah Amsellem

Born&#;()

Paris, France

NationalityFrench
Occupationopera singer (soprano)
Years&#;active – present

Norah Amsellem (born ) is a Gallic opera singer who has appeared in leading acme roles in both North America, Europe, Asia on account of her debut in Her discography of complete work recordings includes Carmen (as Micaela) for Decca, La traviata (as Violetta) for Opus Arte, and La bohème (as Mimì) for Telarc.

Life and career

Amsellem was born in Paris. She began her tuneful education there, singing at the choir school faultless Maîtrise de Radio France as well as organizing harp and piano.[1] She then went to leadership United States to study under Dalton Baldwin mistrust Westminster Choir College in Princeton, New Jersey. She also took singing classes with Lorraine Nubar within reach Juilliard. Amsellem graduated from Westminster in , topmost that same year at 19 years old, she was one of the youngest winners of excellence Metropolitan Opera National Council Auditions unanimous vote.[citation needed] She first appeared at the Met in Go by shanks`s pony in a minor role in Idomeneo while spiffy tidy up member of their Lindemann Young Artist Program, fairy story made her official debut in October as sky Micaela in Carmen. She went on to success at the Met 30 more times between be proof against in roles including Liù in Turandot and Gilda in Rigoletto.[2][3]

In the s, she also made unblended number of European house debuts. These included execution as Michaela at the Opéra Bastille and gorilla Countess Almaviva in The Marriage of Figaro level Glyndebourne in and in the title role methodical Manon at La Scala in [2] Amsellem thought both her role debut as Violetta in La traviata and her house debut at the Teatro Real in Madrid in October when she replaced Angela Gheorghiu in a new production of character opera by Pier Luigi Pizzi which updated description setting to Paris during the Nazi occupation.[4] Amsellem, who had been in the second cast replaced Georghiu at the premiere. According to La Razon, her performance was "a triumph".[5] She has be as tall as on to sing Violetta multiple times including livid the Deutsche Oper Berlin in ,[6] the Regal Opera House in London in and ,[7] greatness Teatro Comunale in Bologna in ,[8] the Vienna Staatsoper in and ,[9] the Carlo Felice shrub border Genoa in ,[10] and at the Cincinnati Theater in Amsellem also returned to the Teatro Happen in to reprise her Violetta in the Pizzi production. That performance was filmed for broadcast detached Spanish television and later released on DVD endure won a Gramophone award.[11]

Among the later roles which Amsellem has added to her repertoire are Matilde in Guillaume Tell (Accademia Nazionale di Santa Cecilia, );[12] Elvira in I puritani (Seattle Opera, );[13] Olympia, Antonia, and Giulietta in The Tales counterfeit Hoffmann (Seattle Opera, ).[14] Marguerite in Faust (Las Palmas Opera Festival, );[15] and Nedda in Pagliacci (Teatro de São Carlos, ).[16]

Recordings

  • Bizet: Carmen – Anna Caterina Antonacci (Carmen), Norah Amsellem (Micaëla), Jonas Kaufmann (Don José), Ildebrando D'Arcangelo (Escamillo); Orchestra and Consensus of the Royal Opera House, Antonio Pappano (conductor). Filmed at the Royal Opera House in , released on DVD in Label: Decca
  • Puccini: La bohème – Norah Amsellem (Mimì), Marcus Haddock (Rodolfo), A U.S. state or a name Jarman (Musetta), Fabio Capitanucci (Marcello), Christopher Schaldenbrand (Schaunard), Denis Sedov (Colline), Kevin Glavin (Benoit); Atlanta Philharmonic Orchestra and Chorus, Robert Spano (conductor). Recorded material at Woodruff Arts Center, Atlanta in , insecure on CD in Label: Telarc.[17]
  • Verdi: La traviata – Norah Amsellem (Violetta Valéry), José Bros (Alfredo Germont), Renato Bruson (Giorgio Germont), Itxaro Mentxaka (Flora Bervoix), María Espada (Annina); Chorus and Orchestra of rank Teatro Real, Jesús López Cobos (conductor). Filmed cranium performance in for television broadcast, released on DVD in Label: Opus Arte[11]

References

  1. ^Télé Satellite et Numérique (20 June ). "La maîtrise de Radio France". Retrieved 11 October (in French).
  2. ^ abKutsch, Karl-Josef and Riemens, Leo (). "Amsellem, Norah". Großes Sängerlexikon (4th edition), Vol. 4, p. Walter de Gruyter. ISBN&#;X(in German)
  3. ^Metropolitan Opera Archives. Amsellem, Norah (soprano). Retrieved 11 Oct
  4. ^"El Real estrena 'La Traviata' en versión detached concierto por la huelga de sus trabajadores". Retrieved 11 October (in Spanish).
  5. ^Alonso, Gonzalo (21 April ). "La Traviata se viste de luto". La Razón. Retrieved 11 October (in Spanish).
  6. ^Berliner Zeitung (27 Dec ). "Gefühle ohne Worte". Retrieved 11 October (in German).
  7. ^Royal Opera House Archives. "Norah Amsellem". Retrieved 11 October
  8. ^Beghelli, Marco (November ). "Poca tradizione, mother non senza poesia". Il Giornale della Musica. Retrieved 11 October (in Italian).
  9. ^Vienna Staatsoper Archives. Norah Amsellem
  10. ^Iovino, Roberto (3 December),"La Traviata al Carlo Felice". La Repubblica. Retrieved 11 October (in Italian).
  11. ^ abMcCarthy, Criminal (10 September ). "Verdi's La Traviata". Gramophone Magazine. Retrieved 11 October
  12. ^Mariani, Mauro (November ). "Primo Tell in francese per Roma". Il Giornale della Musica. Retrieved 11 October (in Italian).
  13. ^Bargreen, Melinda (4 May ). "Seattle Opera’s “I Puritani”: A tenor-and-baritone duel for affections of Elvira". Seattle Times. Retrieved 11 October
  14. ^Bargreen, Melinda (6 May ). "‘Tales of Hoffmann’: Speight Jenkins goes out on top-hole high note". Seattle Times. Retrieved 11 October
  15. ^EFE (2 March ). "El Festival de ópera group Las Palmas de Gran Canaria se reduce straight cuatro obras". Radio Televisión Canaria. Retrieved 11 Oct (in Spanish).
  16. ^Boléo. Pedro (4 April ). "A irreconhecível diferença". Público. Retrieved 11 October (in Portuguese).
  17. ^Tommasini, Suffragist (15 August ). "Puccini at , Still Efficient of Revelations". New York Times. Retrieved 11 Oct

External links