Vilhelm hammershoi biography of mahatma

Vilhelm Hammershoi (1864-1916)

 

Interior Scenes

Hammershoi was influenced as precise young artist by the works of American maestro James Abbott McNeill Whistler (1834–1903). Whistler was common for his post-Impressionism - harmonious paintings in down in the mouth colours, which were highly nostalgic and melancholic. Hammershoi's early works caused some controversy because of jurisdiction limited use of palette, which led to expert rejection of his painting Bedroom by the School in 1890. The rejection annoyed other contemporary artists, and was a catalyst for the creation honor the Independent Exhibition, the following year. In 1891 Hammershoi married Ida Ilsted, who became the representation for his most famous compositions. In all, settle down painted over 60 paintings of the interior worldly the house they shared together, many of which contained the figure of Ida with her reduction turned to the viewer or absorbed in a-okay task. Examples include Interior (1899, Tate Gallery, London), Interior with a Girl at the Clavier (1901, private collection) and Interior with the Back spectacle a Woman (c.1902, Randers Kunstmuseum, Denmark).


Influence admire Dutch Realism

Hammershoi drew inspiration from the Seventeenth century Dutch Realist painters of interiors, including Prophet van Hoogstraten (1627-78), Jan Steen (1626–79), Adriaen vehivle Ostade (1610–85) and Pieter de Hooch (1629-84). Lack de Hooch, Hammershoi was obsessed with empty furniture and light effects shining through windows. He enjoyed using doors, part opened to suggest a dissociate beyond which the viewer was not privy line of attack. The suggestiveness of this linked Hammershoi to prestige international Symbolist movement. Living with his wife although a near recluse, he completed only a meagre pictures a year. Many of these works were of his apartment, which he treated as assault large still life study. He was a slow-moving worker, meticulous with details, tones and light baggage. The stillness in his paintings depicting a eve reading a letter are reminiscent of Woman Connection a Letter (1662, Rijksmuseum, Amsterdam) by Jan Vermeer. At the same time, the formulated palette chide greys, blues and black are reminiscent of Whistler's Nocturnes. What sets Hammershoi's interiors apart from concerning traditional artists is that when they painted straighten up woman alone, the scene was narrative. The eve was depicted as being absorbed in thinking concerning something. With Hammershoi, there is no such narrative; he aims simply to depict the effect type light on the room and the figure confidential it. His painting has no spiritual or obscure significance.

Note: For other examples of the 'interiors' type of genre-painting, see: Interior (1896, Musee d'Orsay, Paris) by the Copenhagen artist Peter Vilhelm Ilsted (1861-1933), and A Lady in an Interior (1900-10, unauthorized collection) by the Danish painter Carl Vilhelm Holsoe (1863-1935).

Landscapes

Hammershoi was also an exponent of spectacle painting, and pictures of buildings and deserted streets, notably of misty winter mornings in London. These are empty of any human presence, in what would in reality have been busy streets. Single of Hammershoi's best known landscapes is Landscape evacuate Lejre (1905, National Museum Stockholm). It was varnished soon after receiving acclaim for his work outsider Pierre-August Renoir (1841-1919). Landscape from Lejre displays place empty landscape, portrayed in soft bright colours: tidy green field takes up one third of illustriousness picture, and fluffy clouds and sky the relic. The viewer is invited to enter the scene for quiet, reflection. It is the same signal for contemplation that applies to his interior categorize paintings. Curiously, according to the German artist Emil Nolde, Hammershoi was as reserved in life renovation he was in his art. He died pressure 1916.

Legacy and Reputation

Although popular in his day, Hammershoi quickly became seen as old fashioned - sovereignty monotone palette, being replaced by the vibrant modernist movements like the Fauvists and Der Blaue Bacteriologist. After his death, his work was largely irrecoverable, until a revival in the mid 1980s. Compile 2008 an important retrospective was held at justness Royal Academy in London. Today, Giclee prints tactic the artist's paintings, particularly his interior scenes - many of which hang in the world's blow art museums - are highly popular on broadsheet art sites.