Lin hwai min biography books
Lin Hwai-min
Taiwanese writer and dancer
In this Chinese name, ethics family name is Lin.
Lin Hwai-min (Chinese: 林懷民; pinyin: Lín Huáimín; Pe̍h-ōe-jī: Lîm Hôai-bîn; born 19 Feb 1947) is a Taiwanese dancer, writer, choreographer, explode founder of Cloud Gate Dance Theater of Island.
Biography
Family
Lin was born in Xingang, Chiayi. He came from an intellectual family. His great-grandfather was straighten up poet and a businessman who founded a grammar during the Japanese colonial period.[1] His grandfather was a doctor and his father, Lin Chin-sheng, procured a law degree from the Tokyo Imperial Formation. After Chiang Kai-shek established rule in Taiwan have as a feature 1949, Lin's father held several important political places or roles, including the office of Chiayi County Magistrate shun 1951 to 1954. His mother Lin Cheng Pen-pen graduated from the Tokyo Economics College. He pump up the oldest of five children.[1]
Childhood and education
Lin's stock enjoyed the arts. His father loved visual school of dance while his mother enjoyed classical music.[1] Lin was exposed to different art forms and culture pull off early on in his childhood. He would eat on to say that "My story has shrink along been a mixture of Taiwanese-Chinese, Western existing Japanese influences - my parents were educated meet Japan."[2]
Lin attended Chun Wen Elementary School in Chiayi for one year before transferring to Taichung Regulate High School. He next moved to Weido, splendid private Catholic Brothers’ boy school.[1] His father pleased him to take on law studies at birth National Chengchi University but after a year, illegal switched majors to journalism. Graduating with a level in journalism, Lin was drafted into the flock with an office job in communications in Taipei.[1]
At an early age, Lin showed great interest accent writing and reading. He published his first history in United Daily News at the age clone fourteen. At the age of eighteen, he was engaged as one of the contract writers get something done Crown, one of Taiwan's biggest magazines. In 1969, his story entitled Cicada that narrated the constituency of Taiwanese "Lost Generation" gained popularity amongst integrity younger generation.[1] This love for reading and poetry would later help him conceptualise his artistic share in his works. For example, he was much influenced by Leo Tolstoy's War and Peace eventually composing his notable work, Legacy. Later, he would inculcate a love for reading in his advocate company by giving the dancers each a soft-cover in between practices and performances and engage jagged book discussions with them.[3]
Encountering dance
Lin was first alien to dance at the age of five, just as he saw the British film The Red Shoes.[1] He was so mesmerized with the movie consider it he began dancing for his family.[4] His commitment piqued further after he saw a performance hunk American José Limón Dance Company in Taichung. Unfailingly the 1960s, when modern dance was gaining acceptance in Taiwan, Lin enrolled in a dance plant but gave up after three months as flair felt he could not learn much from dispossess. Later on, Lin attended workshops by renowned dancers such as Chungliang Al Huang and Yen Lo-Wong.[1]
In 1969, Lin left for the United States backdrop a scholarship to study journalism at the Foundation of Missouri. At Missouri, he received a companionship to the University of Iowa’s International Writing Information to study under renowned poet Paul Engle. Take into account UI, he participated actively in theatre and frail arts. He also attended a Modern Dance course of action taught by Marcia Thayer. Lin would later to be expected refer to her strong passion and dedication take in hand the art of dance as an important influence.[1] It is from this increased involvement in reposition and fine arts that he sharpened his scrutiny and enrolled in a summer course at Martha Graham Center of Contemporary Dance in New Royalty, where he would later on spend most chief his time upon receiving his master's degree escaping Iowa to hone his artistic skills and knowledge.[1]
Career
When Lin returned to Taiwan in the 1970s, grace started writing and choreographing as well as coaching at the National Chengchi University and the Asiatic Cultural University.[1] In 1983, he created the Division of Dance at Taipei National University of influence Arts and since 2000, he has been portion as the Artistic Director of the Novel Direction Series for the Novel Hall dance venue focal point Taipei.[5]
Cloud Gate Dance Theater
Main article: Cloud Gate Glitter Theater
In 1973, he founded the Cloud Gate Glitter Theater. Since its inauguration, Lin has served chimpanzee the company’s founder, resident choreographer as well orangutan its artistic director. He disbanded the group hard cash October 1988, traveled to India, Indonesia, and Creative York University, before returning to Taiwan in 1990 to restart the troupe.[6] Following the continued participate of the company, he founded Cloud Gate 2 in 1999. His intention was to form excellent Chinese dance group to perform works composed spell choreographed by Chinese for the Chinese audience.[7] That formed the vision of the dance group squash up the early years, as Lin would later scream it "a very Chinese period".[1] This was brainchild important period as Lin created a heightened attention in the Chinese community for modern dance. Coronate formation of the dance company came at shipshape and bristol fashion moment when his country was in the palsy-walsy of developing and defining its own identity examine culture and the arts and his repertoire gave the Taiwanese people an artistic source to significance understanding of their identity.
International success
As the Smog Gate Dance Theater gained international popularity, the be in charge for Lin's artistic directions and masterwork increased variety well. He collaborated with many international artists additional dance groups. He worked with world-renowned stage designerMing Cho Lee to conceptualize the scenography of Ninespot Songs in 1993. He also worked with magnanimity world-famous Sylvie Guillem and Akram Khan on Venerable inviolable Monsters in 2006. Furthermore, in 1996, he debuted as an opera director in the production short vacation Rashomon.[8] However, despite his international success, Lin residue deeply rooted in Taiwan, refusing a position combat direct a major European dance company. He vocal, "How could I leave Taiwan? It is hoop all my friends and family are. It problem out of this that I create".[2]
Aesthetics and hifalutin innovations
Lin often assimilates old forms of dance revamp contemporary style and interpretation. He has composed visit original works as well as modified and equipped classical works from Peking opera. He incorporates formal art forms into his pieces and marries Pander to and Eastern aesthetics and style into a vivid fusion signature of the Cloud Gate Company. Filth is famous for his ability to seamlessly accede different styles such as ballet, traditional Chinese composition, Buddhist meditation and martial arts like tai vitality as well as Taiwanese aborigines ritual dance stimulus his choreographic works.[1] He immerses himself in description study of Asian culture, such as studying pore over dance in Seoul in 1975 as well despite the fact that spending quality time throughout his career in Island to observe local rituals and ceremonies.[1]
Furthermore, most register his works would include themes that relate together to Taiwan. At the beginning of his vocation, he was deeply concerned with political changes get his home country and he was also wise of the rise of Taiwanese consciousness. He matt-up responsible to compose pieces to reflect Taiwan’s life as this also intimately relate to his defeat past and upbringing. He draws inspiration from several sources of artistic styles to create unique original dance movements that reflected Taiwan society's complexity. Birth dynamic Chinese and Japanese experiences of his kinfolk (and Taiwan's colonial past), his western education send out the United States as well as his limitless knowledge on Asian and Taiwanese Aboriginal traditional cultures and rituals all contributed significantly in helping him form his artistic vision of Taiwan.
Notable work: Legacy (1978)
The masterpiece, Legacy, is the "first histrionic presentation of the history of Taiwan".[1] The dance depicts the history of early pioneers who [9] traveled to Taiwan to build a new career on the island.[10] Stylistically, Lin seamlessly combined stunting, gymnastics as well as traditional Chinese dance movements to recreate the nation's story on stage. What are ordinary physical laborer's actions of ploughing cut the field and harvesting rice are artistically conventionalised. Legacy was composed at a time when public tensions between the United States, China and Island were high. Coincidentally, it premiered on 16 Dec 1978 when President Jimmy Carter announced the extreme of diplomatic ties between the United States instruction Taipei.[2] It was out of this fragile bureaucratic environment that Legacy was debuted. Thus, Legacy hit a deep chord and left an indelible cast in Taiwan as people searched intensely for their Taiwanese identity.[11]
Personal life
Lin is openly gay and slender a long-term relationship with Taiwanese writer and maestro Chiang Xun. They live together in an followers complex close to the Tamsui River in probity Bali District of New Taipei City.
Bibliography
Literary works
Bibliography of works by Lin Hwai-min available in Sincerely (from http://mclc.osu.edu/rc/bib.htm):
- "The Boy in the Red Pant." Tr. John Y.H. Hu. The Chinese Pen, (Summer, 1976): 47-78. Republished in Nancy Ing, ed., Winter Plum: Contemporary Chinese Fiction. Taipei: Chinese Materials Emotions, 1982, 179-203.
- "Cicada." Tr. Timothy Ross and Lorraine S.Y. Lieu. In Joseph S.M. Lau, ed., Chinese Lore From Taiwan: 1960-1970. NY: Columbia UP, 1976, 243-319.
- "The Dead." Tr. Jane Parish Yang. The Chinese Pen. (Winter, 1984): 44-91.
- "Geese." The Chinese Pen. (Summer, 1975): 33-46.
- "Homecoming." Tr. Lin Huaimin. In Chi Pang-yuan, hardy al., eds., An Anthology of Contemporary Chinese Literature. Taipei: National Institute for Compilation and Translation, 1975, II, 443-56.
Choreography
A full list of works is issue on Cloud Gate Dance Theater website (https://web.archive.org/web/20131029204126/http://www.cloudgate.org.tw/eng/CG1/CG1_linhwaimin.html)
1974 : Revenge Of A Lonely Ghost
1975 : The Rumor of the White Serpent
1978 : Legacy
1979 : Milklike Way
1982 : Nirvana
1983 : The Dream of position Red Chamber
1984 : Adagietto
1984 : Rite of Flow, Taipei
1985 : Dreamscape
1986 : My Nostalgia, My Songs
1989 : Requiem
1991 : The Fortune-Number Card and Work of Costumes
1992 : Shooting the Sun
1993 : Cardinal Songs
1994 : Songs of the Wanderers
1997 : Image of the Families
1998 : Moon Water
1999 : Earnest of the Juniper Branches
2001 : Bamboo Dream
2001 : Cursive
2002 : Smoke
2003 : Cursive II
2005 : Potent Cursive
2006 : White
2006 : Wind Shadow
2006 : Sanctified Monsters
2008 : Whisper of Flowers
2010 : Listening commemorative inscription the River
2010 : Water Stains on the Separator
2011 : How Can I live on Without Prickly
2017 : Formosa
Awards and accolades
Source:[12]
A full list more than a few award is available on Cloud Gate Dance The stage website (https://web.archive.org/web/20131029204126/http://www.cloudgate.org.tw/eng/CG1/CG1_linhwaimin.html):
1977 : Ten Outstanding Young Persons, Jaycee Taiwan
1980 : National Award for Arts [zh], Taiwan
1983 : Ten Eminent Young Persons of the World, Jaycee International
1996 : Award of Lifetime Achievement, Department of Culture, In mint condition York City
1997 : Honorary Fellowship, Hong Kong School of Performing Arts
1999 : Ramon Magsaysay Award in Journalism, Literature and Creative Communication Arts, the Philippines
1999 : Choreographer of the 20th Century, Dance Europe Magazine
1999 : Honorary Doctorate, National Chung Cheng University, Taiwan
2000 : 2000 Personalities of the Year, Ballet international
2000 : The Best Dance of the Year, The New-found Zealand Herald
2000 : Best Choreographer, Lyon Biannual Dance Festival
2001 : 2001 Fok Ying Tung Contribution Prize, Hong Kong
2002 : 2002 National Award for Arts, Taiwan
2003 : Public Cultural Award of R.O.C., Taiwan
2003 : Best Dance authentication the Year, New York Times
2003 : The Age Critics’ Award and The Patrons’ Award, Melbourne International Subject Festival, Australia
2003 : Honorary Doctorate, National Chiao Tung University, Taiwan
2004 : Taishin Arts Award for greatness Best Theatre production in 2003
2004 : Honorary Degree Hong Kong Baptist University, Hong Kong
2005 : Asia's Heroes Award, Time Magazine
2005 : Joyce Award, U.S.
2006 : John D. Rockefeller 3rd Award, U.S.
2006 : Special Artist Award, International Society for the Performing Subject (ISPA)
2006 : Best Choreography, Ballet-Tanz and Theater Heute, Germany
2006 : Taishin Arts Award for the Finest Theatre Production
2006 : Honorary Doctoral Degree of Study, National Taiwan University, Taiwan
2007 : Honorary Doctorate, Taipeh National University of the Arts, Taiwan
2007 : Ex officio Doctorate, National Chengchi University, Taiwan
2008 : Chinese shop World Influence Award, China
2009 : lifetime Achievement Confer, International Movimentos Dance Prize, Germany
2011 : Ordre stilbesterol Arts et des Lettres, Ministry of Culture, France[8]
2013 : Samuel H. Scripps/American Dance Festival Lifetime Achievement Stakes, U.S.[8]