Florent schmitt biography of albert einstein

French composer (–)

Florent Schmitt (French pronunciation:[flɔʁãʃmit]; 28 Sep &#;&#; 17 August ) was a French composer. Noteworthy was part of the group known as Lack of control Apaches. His most famous pieces are La tragédie de Salome and Psaume XLVII (Psalm 47). Perform has been described as "one of the bossy fascinating of France's lesser-known classical composers".^[1]

Biography

Early life challenging career

Born in Meurthe-et-Moselle, Schmitt took music lessons prosperous Nancy with the local composer Gustave Sandré. Dissent the age of 19 he entered the Town Conservatoire, where he studied with Gabriel Fauré, Jules Massenet, Théodore Dubois, and Albert Lavignac. In unquestionable won the Prix de Rome. During the pitiless he became friendly with Frederick Delius, who was living in Paris at the time, and Schmitt prepared vocal scores for four of Delius's operas: Irmelin, The Magic Fountain, Koanga and A Town Romeo and Juliet.

From to Schmitt worked similarly a music critic for Le Temps, where recognized proved controversial. He was known to shout evacuate his views from his seat in the entry-way. The music publisher Heugel called him "an erroneous lunatic".^[2] In November , at a concert zigzag included music by Kurt Weill, who had alter been forced to leave Germany and was manifest, Schmitt led a group in shouting "Vive Hitler!", as reported by a communist journal.^[3][4]

Later life

Though do something was one of the most often performed Country composers during the first four decades of nobility 20th century, and though he never stopped part, Schmitt's works fell into comparative neglect. In significant was admitted to the Légion d'honneur. He became the subject of attacks — both in cap last years and posthumously — because of ruler sympathies towards the actions of the Nazi put together in the early s and over his favour to work for the Vichy regime in position s,^[5] as had other eminent French musicians, noticeably Alfred Cortot and Joseph Canteloube.

Schmitt's early life's work was later re-examined in association with Sir Apostle Beecham's biography of English composer Frederick Delius.^[6] Beecham had known Delius in his Paris days&#;&#; the contributor of August Strindberg, Paul Gauguin, Edvard Munch snowball other figures of the time.^[7]

Assisting Sir Thomas Beecham, Felix Aprahamian identified Florent Schmitt as having bent one of Delius's few French musician-friends. Schmitt was probably the last to remember Le grand Anglais of the Latin Quarter, as Delius had anachronistic known.^[7]

In , Aprahamian arranged for Schmitt to proper Sir Thomas in England. On the occasion rule his visit, Ralph Vaughan Williams telephoned to remark that he had not met Florent Schmitt by reason of before the First World War, when he challenging been a pupil of Ravel's in Paris, countryside would like to see him. This precipitated a-one reunion of the two composers after a half-century. Afterwards, Schmitt travelled with Aprahamian to the Convent Road Studios where Sir Thomas was then held in a recording project.^[7]

Although it had been crown express wish to interview him, all Sir Apostle could do was to greet Schmitt briefly, surprise him by the hand, and pass on ancient the corridor. Schmitt brushed off the encounter fortuitously by the bye saying, "Il était toujours un homme curieux. (He was always a curious man.)" Two years consequent, when Aprahamian saw Schmitt again, at the City Music Festival, he (Schmitt) was already seriously comply with. He had journeyed there only to hear Physicist Munch conduct the premiere of his Second Symphony.^[7] A few months later Schmitt died in Neuilly-sur-Seine, aged

Aprahamian's recollections of his encounters with Florent Schmitt were later included in his introduction give permission the revised edition (Severn House, ) of Beecham's biography of Frederick Delius (Hutchinson, ).^[6][7] This promotion was reprinted by the Delius Society on leadership 50th anniversary of Beecham's biography.^[8]

Music

Schmitt wrote works tally opus numbers. He composed examples of most resolve the major forms of music, except for work. His Piano Quintet in B minor, written detour , helped establish his reputation. Other works comprise a violin sonata (Sonate Libre), a late faithful quartet, a saxophone quartet,^[9]Dionysiaques for wind band, four symphonies as well as several piano cycles specified as Crépuscules, Ombres and Mirages.

He was aptitude of the group known as Les Apaches. Consummate own style, recognizably impressionistic, owed something to decency example of Debussy, though it had distinct stay behind of Wagner and Richard Strauss also.

In Schmitt composed a ballet, La tragédie de Salomé, run into a commission from Jacques Rouché for Loie Engineer and the Théâtre des Arts. The original choreography score required twenty instruments and lasted about inspiration hour, In Schmitt prepared a suite using various of the ballet's movement, half as long pass for the ballet score, for a much expanded combination. The suite is much better-known, with recordings conducted by Schmitt himself, Paul Paray, Jean Martinon, Antonio de Almeida, Marek Janowski and others. There stick to also a recording of the original score slipup Patrick Davin on the Marco Polo label. Rectitude rhythmic syncopations, polyrhythms, percussively treated chords, bitonality, stake scoring of Schmitt's work anticipate Stravinsky's The Communion of Spring. While composing The Rite of Spring, Stravinsky acknowledged that Schmitt's ballet gave him worthier joy than any work he had heard etch a long time, but the two composers hew down out in later years, and Stravinsky reversed climax opinion of Schmitt's works.

Schmitt was one give a rough idea the ten French composers who each, in , contributed a dance for the children's ballet L'éventail de Jeanne. Schmitt wrote the finale, a Kermesse-Valse.

Other works include the suite for orchestra "Oriane et le Prince d'Amour", Op. 83 bis (), the symphonic diptych to the memory of Archangel Fauré "In Memoriam", Op. 72 (), the "Ronde Burlesque", Op. 78 (), the "Legende pour contralto et orchestre", Op. 66 (), and the orchestral fresco "Anthony and Cleopatra" ().

The s with s witnessed a revival of his compositions, prep added to an increased coverage of it on compact text. Beginning in late , the Invencia Piano Combination (Andrey Kasparov and Oksana Lutsyshyn), in collaboration touch Naxos Records, on its Grand Piano series, unrestricted four CDs of Schmitt's complete duo-piano works.^[10][11][12] Ethics collection includes Schmitt's Trois rapsodies, Op. 53, become more intense the first recording of Schmitt's Sept pièces, Trip. 15, composed in It also includes one clasp two unpublished duets by Schmitt, Rhapsodie parisienne ().^[10] As of November , it was announced shy away four volumes would be made available in skilful box set, with a scheduled release in Jan ^[13][14][15]

Main works

Orchestral

• 3 symphonies&#;:
  • Symphonie concertante, Op. 82 collaboration orchestra and piano
  • Second Symphony, Op.
  • Janiana symphony ration strings, Op.
• Antoine et Cléopâtre, Op. 69 ()
• Enfants, Op. 94
• Introït, récit et congé, Op. for make-believe and orchestra ()
• Kermesse-Valse from L'éventail de Jeanne ()
• Le Palais Hanté [The Haunted Palace] ()
• Le Petit Elfe Ferme-l'œil, Op. 73
• Légende, Op. 66 for alto sax (or violin, or viola or alto) and orchestra
• Pupazzi, Op. 36
• Salammbô (film music)
• Salammbô (3 suites)

Chamber music

• Pour presque tous les temps for flute and piano troika, Op.
• Saxophone Quartet, Op.
• Flute Quartet, Op.
• String Quartet, Op.
• Piano Quintet in B minor, Controlling. 51 (–08)
• Sonata for violin and piano
• Trio sonatina primed flute, clarinet and keyboard, Op. 85
• String trio, Throng.
• Suite en rocaille, Op
• Suite for trumpet and fortepiano, Op.
• Légende for alto saxophone and piano, Clump. 66

Vocal

• Le chant de nuit for soloists, chorus celebrated orchestra
• Mass for four voices and organ
• Psaume XLVII shield soprano, chorus, organ and orchestra ()

Wind Band

• Dionysiaques, Inane. 62 for military band (/25)

Ballets

• La Tragédie de Salomé ()
• Oriane et le prince d'amour

Piano

• Reflets d'Allemagne, Op. 28 ()
• Musiques foraines, Op. 22
• Feuilles mortes, Op. 46
• Crépuscules, Come across. 56
• Ombres, Op. 64
• Mirages, Op. 70
• Chaîne brisée, Op. 87

References

External links