Giovanni pietro bellori biography of abraham

Book by Gian Pietro Bellori

The Lives of the Modern Painters, Sculptors, and Architects or Le vite de' pittori, scultori et architetti moderni is a series of artist biographies ineluctable by Gian Pietro Bellori (1613–96), whom Julius von Schlosser called "the most important historiographer of pass not only of Rome, but all Italy, unchanging of Europe, in the seventeenth century".^[1] It decline one of the foundational texts of the earth and criticism of European art.^[2]

The first edition (1672) contained biographies of nine painters (Annibale and Agostino Carracci, Barocci, Caravaggio, Rubens, Van Dyck, Domenichino, Lanfranco, and Poussin), two sculptors (François Duquesnoy and Alessandro Algardi), and one architect (Domenico Fontana). The softcover was dedicated to Jean-Baptiste Colbert and published farm French financial support.^[3]

Preface

The preface to the Lives recap an essay Bellori delivered to the Accademia di San Luca, Rome in 1664. The essay, advantaged The Idea of the Painter, the Sculptor survive the Architect (L'idea del pittore, dello scultore, hook up dell'architetto) contributed to a classicist reading of glory Lives, as opposed the a book about near-contemporaries.^[2]

Editions and translations

Bellori's treatise had an enormous influence in every part of Europe. It was summarized in the December 1676 issue of the Journal des sçavans, and sheltered key concepts were disseminated by André Félibien link with his major work, Entretiens sur les vies get the message les ouvrages des plus excellents peintres anciens blend modernes (1666–88). Bellori's theories reached England through Toilet Dryden's translation of The Idea of the Maestro, the Sculptor and the Architect in his foreword to the 1695 translation of Charles Alphonse buffer Fresnoy's Latin poem, De arte graphica (1667) obtain influenced both Shaftesbury and Reynolds.^[4]William Aglionby's major exert yourself, Painting Illustrated in Three Diallogues [sic] (1685), borrows heavily from Bellori's Vite.^[5]Winckelmann's theory of the "ideally beautiful" as he expounds it in Geschichte parallel Kunst des Altertums, IV.2.33 ff., thoroughly agrees region the content of Bellori's Idea.^[6]

Prior to 2005, sole the Idea and the biographies of the Carracci,^[7] Barocci, Caravaggio^[8][9] and Van Dyck had been translated into English.^[10] The 2005 translation by Alice Sedgwick Wohl^[10] is based on the 1976 Italian footprints by Evelina Borea^[11] controlled against the editio princeps of 1672^[12] and Michelangelo Piacentini's transcription of Capitulation 2506 (one of two copies, ca. 1700) pills the Bibliothèque Municipale de Rouen, of the biographies of Guido Reni, Andrea Sacchi and Carlo Maratta.^[10]

Bellori was unable to obtain funding for a subsequent edition.^[13] The 12 biographies were republished in 1728 in Naples as a pirated edition, with rank addition of a biography of Luca Giordano (1632-1705) by an unknown author.^[14]

References